Digital Ppal-let-ter is a new digital space which illustrates the interactively remediated space and time of both the wash place before the 1960s and Kakao Talk’s group chat room in the 21st century. Digital Ppal-let-ter will encourage audiences to consider the existence of middle-aged and married women’s communal space that has formed and has been developed by those women from the non-digital (pre-smartphone) era before the 1960s to the digital (smartphone) era in 2015.
Digital Ppal-let-ter will take both analogue and digital technology to present a new digital space where ajummas communicate with each other. It is an imaginary space located in a time of coexistence between the face-to-face communication era and the mobile digital communication era. In other words, Digital Ppal-let-ter is located in an in-between space and time of actuality and digitality. For this reason, the creative project of Digital Ppal-let-ter is a converged metaphorical space of communication that transcends time and space among middle-aged and married women in Korea.
I tried to do an installation art but I’ve changed to produce a video instead.
Digital Ppal-let-ter is an imaginary space that does not exist in the real world. However, it asks audiences to think about how communication amongst middle-aged and married women in Korea has always existed even though various communication tools and the locations of communal spaces have changed over time. Digital Ppal-let-ter aims to emphasise that specific features of communication have developed subliminally through continuous interactive communicating among middle-aged and married women in Korea.
Middle-aged and married women used to be considered a peripheral group by the digital technology industry in Korea whereas younger female groups were given attention. However, it is time to look intensively at how these middle-aged and married women, ajummas, communicate with each other in the pre-digital communication era before the 1960s to the digital communication era of today. In general, ajummas used to be considered a group of ordinary middle-aged and married women but they are not ordinary when people look at them with affection. The group ajummas now attract respectful attention from the digital technology industry and Korean society. The creative project Digital Ppal-let-ter presents how the ordinary but not ordinary ajummas build their own communal spaces and have their own ways of communicating which have developed in line with technological developments in communication
Digital Ppal-let-ter is based on Korean sentiment but the convergence of digital and analogue technology in the project is universally relatable. To create this complicated but poetic and new experimental media art project that includes interdisciplinary academic research and mixed media art forms.
For my PhD thesis, I had to write a dissertation (thesis) and make a create project. This creative project is generally called as a project-led research but my PhD project is different. I rather call my creative project as ‘research-led project’. Digital Ppal-let-ter project (Creative project) is mostly based on academic research then I put my imagination to create this Digital Ppal-let-ter project. Without advanced academic research about ajummas and their use of smartphones in everyday practices, Digital Ppal-let-ter couldn’t be created at all.
To create this project, I tried to use many different ways of ‘making’ an art work. I’m not an artist and my background is fully media studies. I had various experiences of working in the media industry and I worked as a script writer, producer, video editor, etc. I know how to use tools for making a film but I don’t want to make an actual film for this project. I rather try to experiment using non-professional filmmaking tools for this project. I always admire people who propose a new method so I tried to find a new method for this project. Through this blog, I will explain how I made this video with my own ways of using tools and softwares.
Firstly, I used still photos for Digital Ppal-let-ter project. The photos for the Digital Ppal-let-ter project were all taken on a iPhone 5 over a period of 2 years from 2014 to 2015. The majority of photos were taken in Seoul, South Korea. The subjects of the photos are mostly middle-aged women, ajummas, in Seoul. The photos were taken randomly in Seoul during the field research in 2014 and 2015. The reason why an iPhone was used as a camera for this project is because it has many advantages such as portability, convenience and instantaneous viewing. Using an iPhone camera for making this creative project has reminded me of the diverse theories about digital communication technology, especially the use of mobile communication devices (e.g. smartphones).
An iPhone allowed me to take photos whenever I found suitable subjects.I became a ‘phoneur’ (2006, Luke) as I took photos while observing people and the city in Seoul and it became a natural part of daily life during my stay in Seoul for the field research in 2014 and 2015.
The subjects of the photos that were used in the video were not asked for permission, however their faces were covered by a hand-drawn sticker of a smiley face to protect each subject’s privacy.
Most photos of ajummas that were used in the video are not taken from the front and some of them are blurry. Consequently, the subjects in the photos that were used in the video are not recognisable. In addition, the video in the Digital Ppal-let-ter project is not made for commercial use, rather it is produced entirely for a creative project which is a part of the PhD research project. For this reason, the privacy issues of photos that were used in the video should not be a problem at all.